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Dan Hudak

Stories by Dan

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IRON MAN

Man of Action:<em>Iron Man 3</em> nothing to Marvel at, but delivers good acting, reasonable fun.

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OBLIVION

Earth is wrecked, aliens abound and Tom Cruise saves the day in fun trek through space.

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G.I. Joe Retaliation

Soldier of Fortune: Lame <em>G.I. Joe</em> sequel packs too many explosions into too small a story.

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Jack the Giant Slayer

Hills of Beans: Slick CGI can’t save <em>Jack the Giant Slayer</em> from bland characters, dull storytelling.

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Beautiful Creatures

Creatures Featured: Supernatural angst meets teen romance in strangely effective <em>Beautiful Creatures</em>.

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Amour

The Beautiful End: Oscar-contender <em>Amour</em> demonstrates the power of heartbreak in long-term love.

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Side Effects

Out of Its Mind: <em>Side Effects</em> uses an ensemble cast to debate pharmaceutical ethics.

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Quartet

Senior Groove: Dustin Hoffman’s directorial debut <em>Quartet</em> sings the tale of elderly musicians at a retirement home.

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Hyde Park on the Hudson

Franklin and the King: Meandering story, inaccurate portrayals hamper exploration of FDR in <em>Hyde Park on the Hudson</em>

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The Tops

2012 yielded a bumper crop of stellar flicks.

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Les Misérables

Sing Misery: Star-studded cast shows off powerful voices in remake of Hugo classic Les Misérables.

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The Hobbit: An Unexpected Journey

Slogging to Erebor: Peter Jackson plays it out with unexpectedly long journey in latest installment of <em>The Hobbit</em>.

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Playing for Keeps

Losing Game: No one wins in Playing For Keeps.

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Tiger, Tiger

Director Ang Lee proves he’s a master of image and imagination in remarkable <em>Life of Pi</em>.

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Flight

Up in the Air: Denzel Washington gives the finest performance of his career as an addict turned reluctant hero in <em>Flight</em>.


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Fun Size

Run from Fun: <em>Fun Size</em> takes the tweenage comedy genre to icky places.

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Cross to Bear

Rob Cohen’s Alex Cross, based on the famed James Patterson character, should die a quick and painless death.

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Seven Psychopaths

Dog Daze: Mad dash for a dognapped Shih Tzu has <em>Seven Psychopaths </em>stumbling over convoluted plot.

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Pitch Perfect

Life’s a Pitch: An adult version of<em> Glee</em>,<em> Pitch Perfect</em> stays slyly, wryly in tune.

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The Bourne Legacy

Generation Kill 2.0: Dual assassins live parallel lives as a new Bourne hero emerges.

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Total Recall

Memory Maker: Revamp of Schwarzenegger hit<em> Total Recall</em> lags in the beginning, delivers in the end.>Memory Maker: Revamp of Schwarzenegger hit<em> Total Recall</em> lags in the beginning, de

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Step Up Revolution

Mob Action: Awesome dance sequences meet snoozer story in rote <em>Step Up Revolution</em>.

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Madagascar 3: Europe’s Most Wanted

Animal Style: <em>Madagascar 3</em> is sweet enough for kids, amusing enough for parents and visually engaging enough for everyone.


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Dr. Seuss’ The Lorax

Agent Orange: Seussian saga <em>The Lorax</em> will win little kids with brightly colored characters but parents shouldn’t expect too much.

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Extremely Loud and Incredibly Close

Extremely Long, Incredibly Annoying: 9/11 serves as a cheap gimmick in this film take on Jonathan Safran Foer’s novel.

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Contraband

Smuggler’s Blues: <em>Contraband </em>has Mark Wahlberg playing family man as he’s dragged back in to a life of crime.

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Best Films for 2011

Art house and heavy punches top the list.

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The Way

Dead Reckoning: Emilio Estevez and Martin Sheen combine for a surprisingly appealing redemption in <em>The Way</em>

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Real Steel

Dead Battery: The robot fight movie <em>Real Steel</em> can’t punch its way out of a cliché bag.

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Moneyball

Pitch Perfect: Brad Pitt, Moneyball win big by moving beyond baseball.

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Fight of Our Lives

Warrior knocks audiences to emotional places, deserves an Academy Award (or two).

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Don’t Be Afraid of the Dark

Shadow Games: <em>Don’t Be Afraid of the Dark</em> wins with spooky gloom and solid acting.

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Crazy, Stupid, Love

A dynamite cast can’t quite rescue <em>Crazy, Stupid, Love.</em>

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F(ail) Buddies

Friends With Benefits lacks the money-shot moments.

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Hogwarts Wild

Harry Potter and the Deathly Hallows: Part 2 sends J.K. Rowling’s gang out with a bang.

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Cars 2

Disney/Pixar’s 'Cars 2' smokes the first installment with sublime visuals and fast action.


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Sucker Punch

Cheat Shot: <em>Sucker Punch</em> swings and misses on plot, but the visuals kick ass.

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Battle: Los Angeles

L.A. Haze
: <em>Battle: Los Angeles</em> has its moments, but they repeat themselves.

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The Adjustment Bureau

Destiny’s Fate: Matt Damon’s <em>The Adjustment Bureau</em> presents big questions with an iffy plot.


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Gnomeo & Juliet

Gnome Run: <em>Gnomeo & Juliet</em> takes Shakespeare to kids (and only needs to be seen once).

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The Rite

To Be Damned: <em>The Rite</em> should be exorcised from theaters (but not Anthony Hopkins).

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Blue Valentine

<em>Blue Valentine</em> deserves Oscar consideration for acting, alternate approach to romance.

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The Chronicles of Narnia: The Voyage of the Dawn Treader Sinking Ship

The latest <i>Chronicles of Narnia</i> flounders on the high seas.

The latest &lt;i&gt;Chronicles of Narnia&lt;/i&gt; flounders on the high seas.&#8233;

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127 Hours

Hard Rock:

Hard Rock:

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Unstoppable

Run Away From This Train: <i>Unstoppable</i> wastes its strong leads and exhilarating ending.

Run Away From This Train: &lt;i&gt;Unstoppable&lt;/i&gt; wastes its strong leads and exhilarating ending.

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Hereafter

Not Quite Dead: <i>Hereafter</i> neglects to address the big question at its core.

Not Quite Dead: &lt;i&gt;Hereafter&lt;/i&gt; neglects to address the big question at its core.

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Secretariat

Pulling Up Lame: <i>Secretariat </i> lacks a little giddy-up and go.

Pulling Up Lame: &lt;i&gt;Secretariat &lt;/i&gt; lacks a little giddy-up and go.

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Too Greedy

<i>Wall Street: Money Never Sleeps</i> tries to do too much.

&lt;i&gt;Wall Street: Money Never Sleeps&lt;/i&gt; tries to do too much.

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Takers

Thieves Like Them: Takers is more fun when it focuses on the criminals than on the cops who are trying to catch them.

Thieves Like Them: Takers is more fun when it focuses on the criminals than on the cops who are trying to catch them.

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Letters to Juliet

The latest remake of a classic romance, wastes talents of greats like Vanessa Redgrave in a pedestrian tale.

The latest remake of a classic romance, wastes talents of greats like Vanessa Redgrave in a pedestrian tale.

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